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Slavery, Miscegenation and Liberation: Classical Cuban Music
3:00pm - 5:30pm (EDT)
The Philadelphia Building
September 21
3:00pm - 5:30pm (EDT)
The Philadelphia Building at 1315 Walnut Street
3rd Floor
Pennsylvania, PA

Spanish-American soprano Ana María Ruimonte made several trips to Cuba to research Classical Cuban Music with African and European influences, concluding that the social succession of slavery, then the mixing of races (miscegenation) led to liberation. She will be presenting her research in three events organized as a Bilingual Series.

The Series includes the following:

1) The US premiere of the documentary film “Huberal” on Saturday, September 21.

In “Huberal” we will watch Lecuona’s former pianist and one of the most authentic interpreters of Lecuona’s piano music. Huberal Herrera is the subject of this Cuban documentary by José Galiño.

2) Recitals of “Africana Soy” on Saturday, October 12. 

In “Africana Soy”, Ana María will be singing excerpts from Cuban musical theater (zarzuela), in the character of the “mulato”, which illustrates the rebellion against racial segregation, and the transgression of the forbidden. The program includes songs from the zarzuelas “María la O”, “El Cafetal”, “Rosa la China” and “El Batey”. 

3) “The Era of Modernism” on Saturday, November 16.

In the third presentation, Ana María will be singing songs of Cuban composers with lyrics by José Martí, the “Apostle” of Cuba’s Independence, who was also a poet and a journalist. Meanwhile, we will discuss the connection between José Martí  and his contemporary Walt Whitman, both representative of “The Era of the Modernism”. Composers such as Sánchez de Fuentes, Aurelio de la Vega, Huberal Herrera, Harold Gramatges, Olga de Blanck, Ernesto Lecuona, Sindo Garay, Pérez Sentenat, Joseíto Fernández (“Guantanamera”), Rogelio Dihigo and Esperanza Valdés are included from Ana Maria’s project “Sencillamente Martí”.

Suggested donations of $10, tax deductible through WeDidIt or at the door. The presentations focus on the music composed by Ernesto Lecuona with its strong African influence as well as colonial themes, and music by other 20th and 21st Centuries Cuban composers.  All the presentations include discussions with the public.