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***Tickets are currently only on sale to Clayton Opera House patrons but will be available to the public on July 6th. To get first dibs at our best seats, become a patron today by calling the box office 315-686-2200.
Anyone who’s been observing keenly or casually over the last three decades will know Alan Doyle shifts his musical emphasis with natural ease while remaining true to the traditions of the place and people which form his artistic foundations. These truths hold on his latest release.
Back to the Harbour is a folk record. Its arrangements only lightly adorned, the lyrics direct. Absent are drums and bass, as Doyle was performing select shows as a trio when circumstances aligned serendipitously. “I had a few free days while touring around the Atlantic Bubble in November,” explains Doyle breezily. “Nipped into Joel Plaskett’s amazing New Scotland Yard studio with Cory (Tetford) and Kendel (Carson). We recorded six songs in three days right off the floor directly into an old tape machine.” The recording has an immediate, intimate feeling; poignant in its clarity with themes identifiably characteristic of the Atlantic but simultaneously universal in sentiment. Back to the Harbour sounds as though it were performed in the listener’s living room.
Sometimes we are parting by circumstance or leaving by choice, or perhaps coming together by fate or reuniting by design. If one knows the canon of Great Big Sea and Alan Doyle’s solo records, there can be no mistaking his distinctive voice and steady themes. With Back to the Harbour, Doyle seamlessly introduces new elements to his range while remaining close to his cherished traditions. Always pushing the boat out a little further, ever returning to shore.
The heart of Back to the Harbour is undoubtedly found in the title track, led by the ‘dogs of Petty Harbour’ – Alan alongside his father, Tom. “I wanted a song my dad and I could sing, which could have been one of a million he knows top to bottom, but I thought it would be more special if we sang about us, and about how we both had to pack it up and leave our beloved little fishing harbour to find work.” The opening line, “I’m a dog from Petty Harbour, like my father was before” is not self-deprecating but rather historical: folks from Petty Harbour used dog teams to get into St. John’s to shop and sell. It was said that on a Saturday you could hear the barking on Water Street long before the sleighs came into sight. Word would get around downtown quick. “Here comes the Petty Harbour dogs.”
Back to the Harbour closes with a song Doyle says he wrote with someone he hasn’t met and is likely unaware of the collaboration. While filming the feature film Robin Hood in 2009, Doyle was tasked with taking bits of script and fashioning fulsome songs for his character, Alan A’Dayle, to sing. “I took a short passage from a funeral scene and wrote this song as both a Farewell and a Coming Home. The final scene we shot did not require a song, so this was orphaned until I started singing it to open or close live shows.” This is the first studio recording for “Dream of Home”. As for the other, unintentional lyricist? “I still don't know who wrote the short passage in this song that remains at the heart of it and was the inspiration for it all.”